The succession of images on the stage is mirrored by the distinctive musical direction of Justin Brown, who manages the constant stylistic shifts to great effect.
- Frankfurter Allgemeiner Zeitung (Wahnfried, Badisches Staatstheater Karlsruhe, January 2017) -
Internationally acclaimed in both the symphonic and operatic repertoire, Justin Brown has been the Music Director of the Badisches Staatstheater Karlsruhe since 2008 and is the Music Director Laureate of the Alabama Symphony Orchestra in the United States. He has worked with orchestras such as the London Symphony Orchestra, Oslo Philharmonic, Dallas Symphony Orchestra, as well as opera companies including the Bavarian State Opera, Santa Fe Opera and the Deutsche Oper Berlin.
Mr. Brown starts the 2019-20 season in Karlsruhe with performances of Janáček´s The Cunning Little Vixen, followed by a revival of Christopher Alden’s production of Tristan und Isolde, and a new production of Berg´s Wozzeck, as well as a number of symphonic programmes with the Badische Staatskapelle. He also debuts at Teatro Colón in Buenos Aires and with the Tchaikovsky Symphony Orchestra in Moscow and finishes the season at Longborough Festival Opera with a production of The Cunning Little Vixen. Highlights of the 2018-19 season included Mr. Brown’s debut at the Deutsche Oper Berlin conducting Wagner’s Lohengrin, a return to Welsh National Opera for Menotti’s The Consul and appearing in concert with the Orchestre symphonique et lyrique de Nancy.
As Music Director of the Badische Staatstheater Karlsruhe, he has been critically acclaimed for his performances of the Karlsruhe Ring Cycle between the 2015-16 and 2017-18 seasons, with Das Rheingold directed by David Hermann, Die Walküre directed by Yuval Sharon, Siegfried directed by Thorleifur Arnarsson, and Götterdämmerung directed by Tobias Kratzer. He commissioned and gave the world premiere of Avner Dorman’s first opera Wahnfried directed by Keith Warner, which was hailed as a masterpiece by the opera press worldwide. In Karlsruhe he has also conducted productions such as Parsifal, Falstaff, Elektra, Tristan und Isolde, Die Meistersinger von Nürnberg, Les Troyens, Delius’ A Village Romeo and Juliet, and Krása’s Verlobung im Traum.
Recent seasons included appearances with Welsh National Opera and Grand Théâtre de Genève conducting the world premiere of Elena Langer’s Figaro Gets a Divorce directed by David Pountney, as well as his return to Oper Frankfurt for performances of Glinka’s Ivan Susanin. Other career highlights have taken him to English National Opera, Scottish Opera (including performances at Covent Garden), La Monnaie in Brussels, Staatsoper Stuttgart, Opéra de Nantes, Opéra National du Rhin and the Norwegian Opera.
Justin Brown has also worked with the Royal Philharmonic, City of Birmingham Symphony, BBC Symphony, Bergen Philharmonic, Finnish Radio Symphony, Swedish Chamber Orchestra, the St. Petersburg Philharmonic, Dresden Philharmonic, Netherlands Radio Symphony, and Orchestre National du Capitole de Toulouse; the Cincinnati, Colorado, and Indianapolis Symphonies, and the Mainly Mozart Festival Orchestra of San Diego; the Malaysian Philharmonic, São Paulo Symphony, Sydney Symphony and the Tokyo Philharmonic, Orquestra Filarmônica de Minas Gerais in Brazil, Calgary Philharmonic Orchestra in Canada, Tatarstan National Orchestra in Kazan, and the orchestras of Teatro Nacional de São Carlos in Lisbon and Opera North.
In six seasons as Music Director of the Alabama Symphony Orchestra, Mr. Brown and the ASO received three first-place ASCAP awards in 2010, 2012, and 2013, and the John S. Edwards Award for Strongest Commitment to New American Music in 2011. In addition to commissioning eleven new works from eight composers, Brown conducted major works by many distinguished contemporary composers such as Elliott Carter, George Crumb, John Adams, Peter Lieberson and Steve Reich. The Alabama Symphony’s artistic growth also led to Brown’s triumphant and “long overdue” (Alex Ross, The New Yorker) debut with the orchestra at Carnegie Hall in May 2012, as part of the second annual Spring For Music Festival. His legacy includes the institution of a composer-in-residence program as well as the founding of the Alabama Symphony Youth Orchestra.
Justin Brown’s discography includes the 2013 release of Paul Lansky’s Arches on Bridge Records, a 2012 release of Mahler’s Ninth Symphony with the Badische Staatskapelle Karlsruhe on the Pan Classics label, praised by Christian Merlin in Diapason Magazine as “an exemplary account of the intimidating Ninth”. Brown was also recognised with a 2007 Grammy nomination for Best Classical Recording for Peter Lieberson’s The Six Realms (Bridge Records, 2006, also the winner of a 2006 WQXR Gramophone American Award), and an Editor’s Choice from Gramophone Magazine for Gershwin’s complete music for Piano and Orchestra with Anne-Marie McDermott and the Dallas Symphony Orchestra (Bridge Records, 2008). Other recordings for Bridge have included works by Carter, Ruders, Gershwin, Dvořák, and Paul Lansky. Brown also conducted a critically acclaimed recording of the Elgar and Barber cello concertos with Anne Gastinel and the City of Birmingham Symphony Orchestra on the French label, NAÏVE.
Born in England, Justin Brown studied at Cambridge University and at Tanglewood with Seiji Ozawa and Leonard Bernstein. He later served as an assistant to both Bernstein and Luciano Berio. He made his highly acclaimed conducting debut with the British stage première of Bernstein’s Mass. Also in demand as a pianist, Mr. Brown’s performances have been lauded on both sides of the Atlantic. He has played and directed concertos by Bach, Mozart, Beethoven, Chopin, Rachmaninov and Shostakovich, and performs regularly in chamber music series both in the United States and Germany.
M: +49 (0)171 212 6728
Stilistische Breite ist durchaus ein Markenzeichen der Badischen Staatskapelle Karlsruhe. Unter seinem Chef, Generalmusikdirektor Justin Brown, hat das Orchester unlängst gezeigt und bewiesen, was es kann. Zu Ostern und Pfingsten 2018 hat das Haus jeweils den Ring-Zyklus aufgeführt. Ein enormer Publikumserfolg für die Opernwelt im Südwesten Deutschlands.
Das Orchester (Symphoniekonzert, Badische Staatskapelle Karlsruhe, September 2018)
If one wanted to name one constant in the new Karlsruhe Ring, the answer would be very clear: it is the Badische Staatskapelle and its Music Director Justin Brown that impress in the cycle with a well-rounded musical foundation of varied and carefully produced colours that is always very singer-friendly. This bears witness to the great experience the orchestra has with the works of Richard Wagner. Laying it on thick is not Justin Brown’s approach, which is not to say that swelling symphonic dynamics were lacking. Once again in the third part of the Ring he concentrated on achieving fine-grained orchestral playing with enthralling attack, while taking care that the individual instrumental groups were all clearly audible. … Surely very few upper mid-level houses have such a trump card up their sleeve as this orchestra when it comes to performing Wagner on an internationally competitive level.
Das Opernglas (Siegfried, Badisches Staatstheater Karlsruhe, March 2017)
Lively instrumentation – injections of accordion and piano – gives cohesion and Justin Brown’s conducting brings a sweeping energy.
- The Guardian (Figaro Gets a Divorce, Welsh National Opera, February 2016) -